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Literary Historian view
A Doll’s House is a play written by Henrik Ibsen in 1879. Date: From a literary Historian perspective, the “A Doll’s House” is a technical revolution especially in modern theater and the first play after the Greek allegory. A literary historian theorist would posit that “A Doll’s House” is a leap from historical aesthetics into the ethical life. “A Doll’s House” is profound structure as historical prevalence of self-transformation that honors the vigor of human spirit in women and men.
In historical perspective, Ibsen exposed a transformation of drama from a historical distinction of the theatre into a modern one. Just like great Athenian plays and Shakespearean dramas, the author has a profound redefinition of drama that has captured the standards that current playwrights have to content and challenge. Prior to Ibsen, the literary stage had ceased to function as a substantial means for postulating human themes and values. Ibsen set a stage in which drama became a literal vehicle to carry important values such as truth telling and critique of life.
A Doll’s House is an anatomy of the social, psychological, emotional and moral truths that are hidden beneath the calm, conventional and respectable marriage institution. Ibsen manages to create a psychological and intricate heroine who shock, unsettle and captures the audience`s imagination more than a century later. A Doll’s House in literary and historical dimension establishes a fundamental position of the responsibility and realities of women`s liberation and gender equality. A literary historian will easily think in terms of Nora being the strongest, rich and complex female character after Shakespeare heroes. Ibsen also becomes the first author since the days Greeks to challenge the position of male dominance.